#LosAngeles #Art #Opening – Ana Bagayan + Michael Ramstead @ThinkspaceArt Culver City this Saturday May 24th

Michael Ramstead  The Scarecrow Takes Flight  oil on canvas

Michael Ramstead – ‘The Scarecrow Takes Flight’ – oil on canvas

Ana Bagayan  Fallen Moon  oil on canvas

Ana Bagayan – ‘Fallen Moon’ – oil on canvas

Ana Bagayan Children of the Sun artist reception opening exhibition art Los Angeles Thinkspace gallery Washington Blvd Culver City

Thinkspace Gallery
6009 Washington Blvd. | Culver City, CA 90232
#310.558.3375 | Tuesday through Saturday Noon to 6PM

From the release:
Thinkspace is pleased to present Children of the Sun, the gallery’s second solo exhibition of new work by Armenian born, Big Bear based, artist Ana Bagayan. Bagayan’s work is inspired by her fascination with the metaphysical, and by a creative preoccupation with the limitless possibilities of the unknown. Working predominantly with oils on canvas, Bagayan creates discrete worlds and cryptic narratives with intentionally mannered portraiture and supernaturally inspired imagery. Working with a highly stylized aesthetic, her evocative paintings combine an expert use of illustrative detail with an intuitive approach to symbolism. Combining elements of the familiar with the speculative limitlessness of the inexplicable, Bagayan’s vision haunts like a trance; seamlessly combining strange beauty, child-like wonder and the inscrutable feeling of dream.

Bagayan’s paintings of wide eyed girls, anthropomorphous animals and preternatural creatures exceed the limits of the real. The beautiful strangeness of her vision suggests, nonetheless, a distinct feeling of human pathos, both affectively compelling and relatable. Combining the innocence and darkness inherent to fantasy, her work captures the uncanny ambivalence of the surreal. Thematically, the works in Children of the Sun explore a myriad of encounters and transformations, as Bagayan’s protagonists become witnesses to, and participants in, the mysteries of a hypnagogic universe. The artist taps into an imaginative ethos compelled by the freedom of possibility; equal parts magic realism, apparition and intergalactic invention. With an interest in everything from the extra terrestrial to the ghostly, her new work draws from the inexhaustible potential of imagery to invoke the vastness of worlds beyond our own.

Bagayan has used the term “futurealism” to refer to her own work; an idea that appropriately suggests the sense of futurity, expansiveness and beautiful incongruity in her ever evolving output. An artist with a mutable approach to the formal and stylistic execution of her painting, Bagayan demonstrates an experimental desire to continue evolving it dynamically. Children of the Sun unites the strange aberrance of the alien with the vaguely Utopian optimism of future possibility – an apt metaphor for a phantasmal vision that knows no bounds. Bagayan’s work is best described as a lingering haunting of possibility; spectral and yet close, and constantly emerging from beneath and beyond.

Concurrently on view in the Thinkspace project room is Bygone, featuring new works by Michael Ramstead. Based out of Long Beach, California, Ramstead works with oils on canvas and creates moody portraiture inspired by the surreal and the paranormal. Looking to contemporary influences and to the historical works of the Old Masters, Ramstead combines a pop surrealist sensibility with a highly refined technical facility and attention to detail. The artist successfully captures the subtle emotive details in his human portraits. His shadowy sitters are always beautifully ominous: silent accomplices seized in a moment of witness. His paintings offer partial glimpses into the suggestion of larger narratives, some bordering on terror and nightmare, others flush with ambiguous foreboding.

In Bygone, Ramstead extends his fascination with the psychological disquietude of the surreal to the creation of quasi-mythological hybrid creatures. Narratively enigmatic, his works imply a world of curiosities beyond the frame. Bygone seizes upon a feeling of historical ambiguity, suggesting at times a pop surrealist take on early 20th Century Americana, or a rural “gothic” inspired by errant phenomena. Ramstead heightens the unsettling facets of the surreal through his juxtaposition of unexpected elements; combining the animal with the human, the pastoral with the nightmare and the historical with the contemporary.